Sunday, February 29, 2004

In March we celebrate Discrete's 1-year anniversary with marathon events on Friday 3/26 and Saturday 3/27 in conjunction with the Associated Writers Project's annual conference being held in Chicago.

*Please note that both events will start at 7 p.m.*

Friday 3/26: Paul Hoover / Maxine Chernoff / Chris Stroffolino / Chuck Stebelton / Kaia Sand

Saturday 3/27: Cole Swensen / Pierre Joris / Jen Hofer / Dan Machlin / Ray Bianchi

(check back here for samples of their work)

Monday, February 23, 2004

Discrete Series in the news... we're thrilled for the attention, but please read on for a few clarifications.

The pulpit of poetry
Getting cultured--and wasted--at church

by Michael Workman


Crowds mill amongst the wooden church pews, the din of voices rising and falling with the excitement of the conversation. The pulpit has been converted into a stage, with tripod-mounted speakers on either side, backdropped by black curtains draped from metal rods. Everybody here's looking and listening, talking. Meeting new people. One scenester hoists a PBR "fan can," another a Heineken mini-keg. What does this congregation sing the praises of at this particular house of worship? Poetry, of course. Or jazz. Take your pick.

At this refurbished old Pentecostal church in the Humboldt Park neighborhood, poets read their words and jazz musicians such as Ken Vandermark play the night away. It's an inviting setup, with BYOB encouraged. Even better, admission's free.

The space is run by Elastic Revolution Productions, a group formed by poets Kerri Sonnenberg and Jesse Seldess to provide "recording, rehearsal and performance space" for artists of any stripe. On the night in question, Seldess reads from a rhythmically repetitive group of works, with the crowd perceptibly swaying from alcohol and sleepiness. Dead silence fills the room. After him, Lewis Warsh, an associate professor at Long Island University in Brooklyn, takes the stage to read from his poetry collection "Touch of the Whip." If it's like this every night--and word is, the series never fails to satisfy--then it's a worthy gospel, indeed.

(2004-02-18)

Dear Mr. Workman:
We were interested to learn that the February 13th event at the 3030 space was the subject of your article "THE PULPIT OF POETRY Getting Cultured --And Wasted -- At Church" in last week's New City. There were, however, some significant inaccuracies in the article we feel are of great importance to
clarify to your readers. First, the 3030 space is run by the Elastic Arts Foundation, a non-profit organization with which Jesse Seldess and Kerri Sonnenberg are affiliated through presenting the Discrete Series - a monthly reading series. Seldess and Sonnenberg had no part in forming the
organization; Rather, the Discrete Series is part of EAF?s mission to build bridges with other area artists, and it began hosting the monthly Discrete events in the space one year ago. The Elastic Arts Foundation is a nine member collective of artists, informally working together since 1998, programming free public performances out of a refurbished Humboldt Park church, at 3030 W. Cortland. In addition to the Discrete Series, EAF produces an Improvised Music Series (where Ken Vandermark does often
perform); a series of Hip-Hop/Spoken Word performances; the Cucaracha Cabaret, which is a series devoted to presenting live puppetry and physical theatre/art pieces; and Elastro, an electroacoustic music series.

We value very highly the audiences who come to 3030 for their commitment to the experimental, hybrid or otherwise non-traditional creative work that is showcased there. It is a space that honors close
listening, where artists enjoy an engaged and attentive audience. While individuals may bring in their own refreshments, 3030's events are hardly the bacchanal the article suggests. We'd like to emphasize that no liquor is sold on the premises and that the environment portrayed in the article is counter to the actual mission of the organization: to provide performance opportunities for independent artists of all disciplines and media; to provide coordination, outreach, and creative leadership within the performing arts communities of Chicago; to facilitate collaboration among artists of diverse aesthetic, social, and cultural backgrounds, while presenting free performances to varied audiences; and, to foster interest and support for new and under-exposed artists and art forms, providing the public with unique aesthetic and cultural events in an alternative environment.

On a final note, there is always a suggested donation for 3030 events. The Discrete Series requests a $5 donation that supports the operational expenses of the space and supplies an honorarium to the readers, many of whom travel to Chicago from afar at their own expense.

We certainly appreciate your having chosen to publicly support the Discrete Series and EAF through your article in the New City. We hope, however, that our clarification of 3030's mission and intent will prompt you to pass such clarification onto your readers in the next New City. We would appreciate it. Further questions about the Elastic Arts Foundation can be directed to: Paul Giallorenzo, Elastic Arts Foundation, 3030 W. Cortland, Chicago IL, 60647. paul@elasticrevolution.com.

Best Regards,

THE ELASTIC ARTS FOUNDATION:
ALISON CHESLEY
STEVE GAEDE
PAUL GIALLORENZO
STEFAN GRACE
DAVIS KRIEG
SAM LEWIS
MARK ROCHON
DAN SCHWARZLOSE
LIENA VAYZMAN

THE ORGANIZERS OF THE DISCRETE SERIES:
KERRI SONNENBERG
JESSE SELDESS

Saturday, February 14, 2004

Welcome to the Discrete blog. This is a space to sample the work of readers and performers featured in the monthly Humboldt Park series. If you enjoy what you read here, come over to the 3030 space at 3030 W. Cortland to hear poets and artists from Chicago and beyond present their work.

Events start at 9 p.m. unless otherwise noted. Suggested donation is $5. BYOB.

Friday, February 13, 2004

Jesse Seldess works in social services for the elderly, edits Antennae magazine, and co-curates the Discrete Series. Recent poems have appeared or are soon to appear in Crayon, Conundrum, Kiosk, Traverse, Kenning, and First Intensity, and a chapbook, Who Opens, was just printed by Milwaukee's Bronze Skull Press. He read for the series on February 13, 2004. The following poem will appear in the forthcoming issue of Conundrum.

PROMPT

Who you have continually overheard
Knotted up small movements
And mumbling to you hear
And hats
Which you wear really
As what you headed toward you
Saturate through in vision
Lifting up unvocalized to you hear in
The scene rips through
And overhead
And sew

Friday, February 06, 2004

Bob Harrison moved to this country from Panama at the age of seven, at which point he first began learning English. After having lived in various places throughout the country, including Boston and San Fransisco, he now lives in Milwaukee, Wisconsin. He edits Crayon, a journal of arts and poetry, with Andrew Levy and edits the chapbook series Bronze Skull Eights. He read for the Discrete Series on July 11, 2003.

string batch song gash

FOR run, mountain evergreen
cases: hand, plain, engine...
solvent news in the back heels
of rain packets... signals feed young
in the hidden river, CHOOSE goes
to cloud (bend trees, rails unravel
a mine shaft rolls inside
the seed. PUSH knees, bird
heads crack below a polished
desert... shine on highway frost,
Red holes hang every nail – e v i l
born dog, fingering teeth, the small
cut – lights a hooded cock
its Circle bleeds. call borderlines
unravel kite string, head hooks
placed there by black & white
brick knots, foil puts words
to BLANK balls. street place, past
counts on a skewed LINE hutch –
the black feather burns. conch
slabs holes in air to a meat
sacking boat... mouths lay
their retrieval on what remains: Open

Tuesday, February 03, 2004

Stacy Szymaszek is coeditor of Traverse with Drew Kunz and editor of Gam: A Survey of Great Lakes Writing. She works at Woodland Pattern Book Center in Milwaukee. Her long poem "Some Mariners" will appear on EtherDome Press sometime this summer. She read for the Discrete Series on April 11, 2003.


manifest


defunct
list of
common
names
proxy
for the
bearer

nor’wester
buffets
gear
reach
into our
canisters

“Cassirer”
drawn and
sewn into
my lapels
assembly of
illegal men
peril will
not know


two
Roman
slaves
gulp
rain
till
rage
passes
through
teeth into
interior
pneumatic
doors

my evening
of moniker
stamped
upon boxes
of envelopes

blank
ledger
for you
“Macquin”
with tin
and amber
stockpiled
you prince
Dawn Michelle Baude's recent books include egypt, Sunday and The Beirut Poems. She is also the author of reConnaitre: Curt Asker, an art catalogue published by Les Reunions des Musees Nationaux in Paris. She read for the series on April 11, 2003.

Above the rock shelter

Above the rock shelter
(ancestors in wolf skin)

an aperture
to look there

the "I" pronoun
in history

exists: I'm climbing
above the shelter

I look in the hole
I have light

I see tendrils
lichen algae snails

rock & stone
and it's enough

the pronoun's abandoned
among first conditions

the shell remarks
the sound of the sea

Monday, February 02, 2004

Mark Salerno’s books of poetry include Hate, For Revery, and Method. He is the former editor of Arshile: A Magazine of the Arts. “Matters” is from his new book, entitled So One Could Have (Red Hen Press, 2004). Mark read as part of Discrete's first event on March 14, 2003.

Matters

Whatever flares up in our mental precincts
a picture of how we were a photo booth I.D.
so what if I cried at ‘80s Big Hair Night
that was me adrift in the ensuing brouhaha
twenty years later I got a knack for glowy
for bits of stardust it’s what we came here for
this straining after lost light I admit
I got a little hammy a little foreign sounding
as kinsman Sgt. Bilko but how was I to know
simple longing or some kind of human grief
like in a shipwreck a shipwrecked way of saying
if nothing is lost if nothing is lost a day
of quandary of “soda pills” and fuely heads
or the way she held her hands in the picture.